Filmmaker Competitions

Black Thoughts

Directors: Dwayne Logan
Aiming to bridge the divide that exists between embattled Americans, Black Thoughts places viewers within the history ravaged mind of a broken-hearted Black man, as he contemplates how confusion has kept citizens engaged in an endless cycle of conflict

#BlackAtSMU

Directors: Aysia Lane, Crislyn Fayson
#BlackAtSMU is an experimental documentary that uses an amalgamation of dramatic retellings, experimental explorations, and investigative interviews to explore a critical question: what is it like to be a Black student at a Predominantly White Institution? The film depicts five Black students’ encounters with racism at Southern Methodist University, a private college in Dallas, Texas. The stories explored originate from the hashtag “BlackatSMU” which trended on Twitter in the summer of 2020 following the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery. They range from a student-athlete navigating the lonely confines of becoming an activist in a suppressive system to Black students evacuating campus after fraternity brothers shouted racial slurs following Trump’s election.

Call Anytime, I’m Not Leaving the House

Directors: Sanjna Selva
Two days after the Russian invasion of Ukraine, Lesya Verba, a Brooklyn-based artist and performer, gets through to her older sister in Odessa, Ukraine via FaceTime. Through the frame of this first FaceTime conversation since the day everything changed, Call Anytime, I’m Not Leaving the House is a film about love, memory, national identity, and the (im)permanence of home, as the sisters cling to a call that could be their last.

Healing in Color

Directors: Nana Adwoa Frimpong
​​In a world where Black women are expected to be invulnerable to pain, five Black women confront their personal struggles and explore healing through art.

Words Between Phrases

Directors: Ben Bernard
When a college student fights for the removal of a whipping post in his hometown, he is forced to reevaluate his priorities and his intrinsic biases.

SHIKATA GA NAI [it cannot be helped]

Directors: Kevin Kodama
A fantasy romance set in the ruins of a Japanese American internment camp where a young couple attempts to reconcile their relationship as ghosts.

The Bond

Directors: Jahmil Eady
Pregnant and incarcerated, Aria fights for her most precious connection against a system designed to isolate her.

The Defenders

Directors: Roderick Red
Few in number and with limited resources, lawyers representing African Americans in Mississippi lost more than they won during the early years of the Civil Rights Movement. However, with the country's conscience pricked by violent images, hundreds of lawyers became inspired to work in the state and transformed its legal infrastructure.

Bad Hombrewood

Directors: Guillermo Casarin
Guillermo Casarín, an aspiring young filmmaker, came to the United States from Mexico to pursue his dreams of becoming a film director. Now, he is on the verge of graduating from one of the best film schools in the world, but after experiencing racism in the country and film industry, he finds himself questioning his place in Hollywood. Through compelling interviews--such as Academy Award-winning directors Phil Lord, Lee Unkrich, and Guillermo Del Toro, and Melissa Fumero from the Golden Globe-winning show Brooklyn Nine-Nine--and archival footage, Bad Hombrewood reveals the dark side of Hollywood’s history and the challenges Latinx filmmakers face while trying to succeed in the entertainment industry.

Reclaiming Our Collective Strength

Directors: Lori Webster Fore
The black church is alive and well. See our faith in action, as we organize the church to reclaim our collective strength on the frontlines of social justice.
March On!
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