Director: Leslie Askew In the United States, 53.6 million Americans lack access to food, with African American households being disproportionately affected, as 1 out of 5 households is impacted. Each episode delves into the stories of BIPOC individuals from around the country who are applying their unique plant-based approach to feeding their communities. "Harvesting Justice" showcases how they are truly making a difference by highlighting their methods and remarkable successes. The first episode takes us to Baltimore, Maryland, where food justice activist Brenda Sanders works tirelessly to educate and bring healthy, affordable food choices to low-income communities. She focuses on areas experiencing food apartheid, where the nearest supermarket can be up to ten miles away. Throughout the episode, we learn about how her upbringing inspired her to serve her community by promoting a plant-based diet.
Directors & Producers: Ondi Timoner At once emotionally devastating and deeply heartwarming, Ondi Timoner’s latest documentary follows the day to day lives of the residents at a hospice care center for the unhoused located in Salt Lake City. Crafted with immense compassion, The Inn Between forces us to identify with its subjects, exposing how close any of us really are to the rough living circumstances that thousands of Americans find themselves in.The Inn Between is the only end of life facility for the homeless in America, where miracles happen - as the once-unsheltered are treated with the humanity and community we all deserve.
Directors & Producers: Mike Davis & Debbie Davis A New Voice is a firsthand look into the upward journey of citizens returning to communities after incarceration. The film sheds some light on the rarely seen success stories of people who have transitioned home from prison and their impact on their communities.
Directors & Producers: Osato Dixon Filmed over two years and across eight cities—including Atlanta, Los Angeles, Washington, D.C., Houston, and Detroit—Wait Until Tomorrow intimately captures what it means to strive for economic mobility as a Black American today.
Directors & Producers: Reid Davenport As a visibly disabled person, filmmaker Reid Davenport sets out to make a film about how he sees the world, from either his wheelchair or his two feet, without having to be seen himself. The unexpected arrival of a circus tent outside his apartment in Oakland, CA leads him to consider the history and legacy of P.T. Barnum’s Freak Show and its lingering presence in his daily life in the form of gawking, lack of access, and other forms of ableism. Informed by his position in space, lower to the ground, Davenport captures indelible images, often abstracted into shapes and patterns separate from their meaning. But the circus tent looms in the background, and is reverberated by tangible on-screen interruptions, from unsolicited offers of help to careless blocking of ramps. Personal and unflinching, I Didn’t See You There forces the viewer to confront the spectacle and
Directors & Producers: Stanley Nelson and Nicole London WE WANT THE FUNK! is a syncopated voyage through the history of funk music, spanning from African, soul, and early jazz roots, to its rise into the public consciousness. Featuring James Brown's dynamism, the extraterrestrial funk of George Clinton's Parliament Funkadelic, transformed girl group Labelle, and Fela Kuti's Afrobeat, the story also traces funk's influences on both new wave and hip-hop.
Directors & Producers: Juan Mejía Botero In Colombia, a nation marred by profound racial and socio-economic disparities, a Black woman from a rural background challenges the status quo by launching a presidential campaign. Reappropriating the term “igualada,” Francia Márquez, catapults a movement to the upper echelons of power, by refusing to “know her place.” Fifteen years in the making, this documentary peels back the curtain on how unprecedented change can happen
Directors & Producers: Lisa Cunningham Through the eyes of everyday families and celebrity mothers like Sheryl Lee Ralph and Tabitha Brown, Me Period explores the beauty and complexity of how we navigate sensitive conversations about our bodies and our periods.
Directors & Producers: Danica Cullinan, Neal Hutcheson, Walt Wolfram Signing Black in America is the first documentary about Black ASL: the unique dialect of American Sign Language (ASL) that developed within historically segregated African American Deaf communities.Black ASL today conveys an identity and sense of belonging that mirrors spoken language varieties of the African American hearing community. Different uses of space, hand use, directional movement, and facial expressions are ways that Black ASL distinguishes itself as a vibrant dialect of American Sign Language. The African American Deaf community is now embracing their unique variety as a symbol of solidarity and a vital part of their identity.
Directors & Producers: Lisa Arrindell & Terri Montrel Alonzo and Adrienne have breakfast and receive some wonderful news... or is it? Morning turns to night as the couple struggles to find language amidst a storm of emotions. When family is the highest value, dreams fight to stay alive.
